"Fast Eddie" Felson is a pool player from Oakland, CA. As good as anyone who ever picked up a cue, Eddie's biggest weakness is his arrogance. Eddie travels cross-country with his partner Charlie to challenge the legendary player "Minnesota Fats". After losing his money to over-confidence, he falls in love with Sarah, an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon, a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, the consequences prove tragic when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay.
Did you know? Paul Newman and Jackie Gleason performed all the pool shots in the movie except one: the massé shot (cue ball sends two object balls into the same pocket), which was performed by Willie Mosconi. Read More
They Called Him "Fast Eddie" A searching look into the innermost depths of a woman's heart . . . and a man's desires! A motion picture that probes the stranger... the pick-up... why a man hustles for a buck or a place in the sun! They called him "Fast Eddie"... He was a winner... He was a loser... He was a hustler. Only the angel who falls knows the depths of hell. Trapped by the underworld . . . they risked love and fortune in a desperate gamble!
Paul Newman and Jackie Gleason performed all the pool shots in the movie except one: the massé shot (cue ball sends two object balls into the same pocket), which was performed by Willie Mosconi.
While on set, Paul Newman challenged the much more experienced Gleason to a $50 bet on a game of pool. After Newman broke, Gleason knocked all 15 balls in without giving Newman another shot. Gleason recalled that the next day Newman paid him off with 5000 pennies.
Before landing the role of Fast Eddie Felson, Paul Newman had never held a pool cue before in his life. He replaced his dining table with a pool table so he could spend every waking hour practicing in preparation for the movie.
After this movie, Piper Laurie took a 15-year break from acting, devoting the time to her marriage and raising her only daughter. The next film she shot was Carrie (1976), which earned her her second Oscar nomination.
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